Tomoko Konoike
■Comments on Participating in Roppongi Art Night
You never know if you will see the stray cat you just met on the
street again tomorrow. So, just to be safe, I whisper in my heart,
“See you later,” but only we humans can make promises with words.
We part as we are, and chances are we will probably never see each
other again. However, one day, unexpectedly, our paths may cross.
At times like this, I feel that “en” is the most untranslatable
and animalistic of all human languages. The cat that disappeared
will sometimes show up unexpectedly on the side of the road. There
is no promise, no trust, only fate that connects the two violently
like a storm. Language cannot control it. At times like this, I
feel that “karma” is the most untranslatable and animalistic of
all human languages. In many ways, art is very similar. It seems
that we still harbor much of nature’s unknowability in our animal
qualities. How much of us is human and how much of us is animal?
Are we insects, birds, wind, grass, soil? Roppongi Art Night can
become a topography where these boundaries and classifications
become blurred as “animal languages” flourish.
Tomoko Konoike
(Profile)
Tomoko Konoike continues to question the fundamentals of art
through a variety of media including painting, sculpture, and
performance, as well as site-specific expressions realized
through travel.
Recent solo exhibitions include Fundamental Violence (2016),
Kanagawa Prefectural Hall, The Museum of Modern Art, Gunma /
Minister of Education, Culture, Sports, Science and Technology
Art Encouragement Prize; Fur Story (2018), Leeds Arts
University; Hunter Gatherer (2018), Akita Museum of Modern Art,
Japan; Chukagari (2020), Artizon Museum / Mainichi Art Prize;
Birth of Miru (2022), Takamatsu City Museum of Art.
Group exhibitions include Temporal Turn (2016), Spencer Museum
of Art / University of Kansas Museum of Natural History;
Japan-Spirits of Nature (2017), Nordic Akbar Museum of Art;
ECHOES FROM THE PAST (2018), Sinka Art Museum; Story-makers
(2022), Japanese Cultural Centre Sydney. Her publications
include Animal Words and picture books (Hatori Shoten).